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TCM: 10th Anniversary Concert – Glow of Light

The concert celebrates movement, rhythm, dance, energy, the power of music, and holistic wellbeing.

Date 22.01.2026 19.00

VenueTampere Hall, Small Auditorium

Event info

Thursday. January 22th 2026, 7:00PM
Small Auditorium, Tampere Hall (osoite: Yliopistonkatu 55, Tampere)
Tickets34 €, seniors 29 €, youth and children 10 €

“Since 2017, Tampere Chamber Music has brought some of the world’s finest chamber musicians to Tampere in the heart of the cold January winter. Festivals are the best places for musicians to form friendships. I have met many of the artists appearing at this festival for the first time in places like Korsholm, Kuhmo, and so on. My warmest thanks to the artistic directors Frans Helmerson, Seppo Kimanen, Marko Ylönen, and the late Vladimir Mendelssohn.

My first encounter with Robert Cohen was through Schubert’s Piano Trio in B-flat major. It remains one of the most meaningful musical moments of my life. Of course, I had already heard him perform in Kuhmo when I was still in school, with Ana Chumachenko as the violinist. Robert has been part of the festival from the very beginning, and now is the perfect moment to return to Schubert—this time together with Réka Szilvay. This work is one of my dearest.

Warmth and humanity, the power of expression—these are qualities we share when we play together. A person reveals much about themselves through their playing. And since making music is so much about sharing energies, these energies naturally seek one another. This is why the festival has its core family, which is always enriched by new members.

Everything begins with energy and breath. Dance and music share the same movement-energy, and dance has always been very dear to me. As a child I danced to music—I even bought myself pointe shoes. When I play, I dance, because for me the space between the sounds is what matters most, the space between beats the most essential. I speak of inner movement and energy.

When combining music and dance, I first shape my understanding of the work through my own vision. New sprouts grow from that, inspiring us, and soon we find ourselves on a shared path, one that moves in a world free of obstacles. Perhaps this is some kind of creative flow state that we reach together.

As artistic director, I feel deeply privileged to bring all these artists to Tampere and to offer audiences profound and moving artistic experiences.

The anniversary theme, ‘dance of colours and light,’ celebrates many aspects of the festival—movement, rhythm, dance, energy, the power of music, and holistic wellbeing. Light, northern lights, friendship, and the joy of life shine through the programme choices: Mozart, Schubert, Brahms, Arensky, Dvořák, Suk, Debussy, Ravel, Golijov, Prokofiev, Bartók, and Korngold.

Golijov’s powerful work reminds us of the strength of inner light and dreams. Even when we cannot see light with our eyes, we can create it through music and through our own inner force.

With these words, I warmly wish Tampere Chamber Music—now ten years old—many congratulations and many more years to come!”

Heini Kärkkäinen
Artistic Director, Tampere Chamber Music Festival

Programme:

Osvaldo Golijov: The Dreams and Prayers of Isaac the Blind
Prelude: Calmo, Sospeso
I. Agitato-Con Fuoco-Maestoso-Senza Misura, Oscilante
II. Teneramente-Ruvido-Presto
III. Calmo, Sospeso-Allegro Pesante
Postlude: Lento, Liberamente

Laura Vikman, violin
Priya Mitchell, violin
Lars Anders Tomter, viola
Joonas Pulkkinen, cello
Christoffer Sundqvist, clarinet
Minna Tervamäki, dance

Franz Schubert: Piano Trio No. 1 in B-flat major, Op. 99, D. 898
I. Allegro moderato
II. Andante un poco mosso
III. Scherzo (Allegro)
IV. Rondo (Allegro vivace) 

Réka Szilvay, violin
Robert Cohen, cello
Heini Kärkkäinen, piano

INTERMISSION

Antonín Dvořák: Piano Quartet No. 2 in E-flat major, Op. 87, B. 162
I. Allegro con fuoco
II. Lento
III. Allegro moderato, grazioso
IV. Finale. Allegro,ma non troppo

Priya Mitchell, violin
Lars Anders Tomter, viola
Marko Ylönen, cello
Natacha Kudritskaya, piano

The concert lasts approximately 1.5 hours, including an intermission.

Subject to change.

Production: Tampere Chamber Music

This concert is part of the Tampere Chamber Music Festival.

Performers

Laura Vikman, Principal Second Violin of the Finnish Radio Symphony Orchestra (RSO), pursues an active career alongside her orchestral work as a chamber musician, soloist, and teacher. She holds a Master of Music degree from the Sibelius Academy of the University of the Arts Helsinki and has also studied at the University of Music and Performing Arts Vienna and the Cologne University of Music. Prior to assuming her current position in the RSO second violin section in 2013, Vikman served for ten years as the orchestra’s Third Concertmaster.

Vikman has won second prizes at both the Kuopio Violin Competition and the Leipzig J. S. Bach Competition. In Florence, she and pianist Marianna Shirinyan were also awarded second prize at the Vittorio Gui International Chamber Music Competition.

Laura Vikman has been the first violinist of the Tempera Quartet since 2003. The quartet has performed in Japan and throughout Europe and has recorded, among other works, the complete string quartets of Jean Sibelius for the BIS label.

As a soloist, Vikman has appeared with the Helsinki, Kuopio, and Mikkeli City Orchestras, the Finnish Radio Symphony Orchestra, the Ostrobothnian Chamber Orchestra, the Stockholm Philharmonic Orchestra, and the National Orchestra of Belgium. As a chamber musician, she has performed at numerous festivals in Finland and abroad.

Laura Vikman has served as Lecturer in Violin at Tampere University of Applied Sciences since 2015. Prior to that, she worked as a part-time teacher at the Sibelius Academy of the University of the Arts Helsinki from 2007 to 2015.

Oxford-born Ms Priya Mitchell, who received her first violin lessons at the Yehudi Menuhin School with David Takeno. With him she attended in the subsequent period, private studies and subsequently studied with Zakhar Bron at the Musikhochschule Lübeck. She was then chosen ‘Rising Stars’ of the European Concert Halls Organisation Series, giving recitals in Paris (Cité de la Musique), Vienna (Konzerthaus), Frankfurt (Alte Oper), Amsterdam (Concertgebouw), Brussels (Palais des Beaux-Arts), Birmingham (Symphony Hall),London (Wigmore Hall) and New York (Carnegie Hall). 

This success led to highly acclaimed tours and performances with, amongst others, the BBC Symphony Orchestra, BBC Philharmonic Orchestra, Philharmonia Orchestra London, Royal Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, London, the Belgian Radio and Television Philharmonic, the Deutsche Symphonie Orchester Berlin, the Sinfonia Varsovia, the Moscow Philharmonic and the Australian Chamber Orchestra. Thereby she worked with conductors such as Sir Andrew Davis, Richard Hickox, Heinrich Schiff, Yuri Temirkanov or Yan Pascal Tortelier. 

A highly committed chamber musician and interpreter she continues to work with, among others, Patricia Kopatchinskaja, Natalie Clein, Nicolas Altsteadt, Polina Leschenko, and Alexander Lonquich. Also Priya Mitchell performs regularly at the chamber music festivals in Kuhmo, Ravinia, Lugano, Lockenhaus, Stavanger, Risør and Trondheim, as well as at the Schubertiade Schwarzenberg, the Schleswig-Holstein Musikfestival, the Festspiele Mecklenburg-Vorpommern, at Cheltenham and Bath. Priya Mitchell is the artistic director of the Oxford Chamber Music Festival. 

Lars Anders Tomter is one of today’s most outstanding violists. The Giant of the Nordic Viola (The Strad) was born at Hamar, Norway. He began to play the violin at the age of eight and also took up the viola. Both instruments he studied with Professor Leif Jørgensen at the Oslo Music Conservatory and the Norwegian State Academy. He then continued his studies with Professor Max Rostal and with Sándor Vegh. He was awarded a special prize for his interpretation of Bartók’s Viola Concerto at the International Viola Competition in Budapest in 1984 and then went on to win the Maurice Vieux International Competition in Lille in 1986.

Kuva: Nikolaj Lund

Finnish cellist Joona Pulkkinen has performed as a soloist with numerous orchestras, such as the Finnish Radio Symphony Orchestra, Turku Philharmonic Orchestra, the Royal Chamber Orchestra of Wallonia, Brussel’s La Monnaie Orchestra and Tampere Philharmonic Orchestra. He has performed at several important Scandinavian music festivals and in many great European concert halls, including Brussels’ Palais des Beaux-Arts, Paris’ Auditorium Fondation Louis Vuitton and Amsterdam’s Concertgebouw. In the fall of 2022, Pulkkinen started his work as a lecturer of cello at the Sibelius Academy in Helsinki.

Pulkkinen was selected as an artist for the Classe d’Excellence de Violoncelle program in Paris under the guidance of Gautier Capuçon for the 2015–2016 season. Other teachers of Pulkkinen include Gary Hoffman, Marko Ylönen and Pauli Heikkinen.

Pulkkinen won the 3rd prize in the national Turku cello competition as the youngest participant of the finals in 2010. He worked as the 1st solo cellist of the Tampere Philharmonic Orchestra in 2014–2023. Pulkkinen has also worked as a substituting solo cellist for Avanti! Chamber Orchestra, the Finnish Radio Symphony Orchestra, and the Helsinki Philharmonic Orchestra, among others.

Joona Pulkkinen plays a rare Davide Pizzorno cello from 1769 and a Pierre Simon bow from 1855.

Photographer: Ville Hautakangas

Already at the age of fifteen Marko Ylönen was one of the finalists in a national cello competition in Finland. In 1990 he was awarded 2nd prize at the Turku Scandinavian Cello Competition and later that year he became a finalist and a prizewinner in the Tchaikowsky Competition in Moscow. 1996 he won the first prize at the Concert Artist Guild Competition in New York.

Marko Ylönen has performed as  soloist and  chamber musician in Finland and other European countries as well as in Japan, Australia, New Zealand and America. He plays regurlarly as soloist with all major Finnish orchestras. He has also played with such leading orchestras as Camerata Salzburg, the English Chamber Orchestra, the Prague Chamber Orchestra and the Netherlands Chamber Orchestra. Among the conductors he has worked with, are Leif Segerstam, Jukka-Pekka Saraste, Juha Kangas, John Storgårds, Sakari Oramo, Okko Kamu, James de Priest, Mosche Atzmon, Alexander Vedernikov, Heinrich Schiff, Ben Wallfish, Susanna Mälkki, Osmo Vänskä, Olli Mustonen and Hannu Lintu.

As chamber musician, mr. Ylönen has played with a great number of worlds leading musicians in various ensembles at many music festivals. He has been invited Artistic Director of Korsholm Music Festival in 2008 and 2010, which position he successfully held also in 2003. From autumn 2009 Ylönen is engaged as professor for chamber music at the Sibelius-Academy in Helsinki. He has given masteclasses in Sweden, Austria, USA, Australia, Egypt and in Azerbaijan.

Apart from classical repertoire, Marko Ylönen plays occassionally contemporary music. He has premiered several works by Finnish composers, the most recent of them was  Jouni Kaipainen’s Celloconcerto in March 2003 with the Finnish Radio Symphony.

Marko Ylönen’s discography is mainly on three labels, ONDINE, BIS and FINLANDIA, and it  includes both modern concertos and traditional repertoire. The latest releases  are Two Serious Melodies op. 77 for cello and orchestra by Sibelius (Lahti Symphony/dir. OsmoVänskä, BIS), Cello Concerto by Peteris Vasks (Tampere Filharmonia/dir. John Storgårds, ONDINE) and Cello Concerto by Joonas Kokkonen( Finnish Radio Symphony Orchestra/dir. Sakari Oramo, Ondine).

Marko Ylönen has studied with  Csaba Szilvay, Erkki Rautio,  Heikki Rautasalo and Heinrich Schiff.

Ylönen plays a David Tecchler -Cello from 1707 owned by Suomen Kulttuurirahasto.

Finnish born violinist Réka Szilvay, with Austrian-Hungarian roots, has performed as soloist and chamber musician all over Europe, Asia, South America, South Africa and the USA. She appeared as soloist with all major Finnish orchestras as well as with the London Philharmonic, Mozarteum Orchestra Salzburg, Mariinsky Orchestra St. Petersburg, Dallas Symphony Orchestra, City of Birmingham Symphony Orchestra, Gothenburg Symphony Orchestra, Copenhagen Philharmonic Orchestra, Orquestra Nacional do Porto, Tonkünstler Orchestra Austria and Orchestre Philharmonique de Strasbourg. 

She has toured with the Helsinki Philharmonic Orchestra, Helsinki Strings, Orkester Norden, Ostrobothnian Chamber Orchestra and the Lahti Symphony Orchestra and has worked together with renowned conductors like Ádám Fischer, Mikko Franck, Rumon Gamba, Valeri Gergiev, Neeme Järvi, Juha Kangas, Okko Kamu, Fabio Luisi, Sakari Oramo, Libor Pesek, Jukka-Pekka Saraste, Leif Segerstam, Hubert Soudant, Osmo Vänskä and Mark Wigglesworth. She appeared often as soloist at Musikverein Wien and Großes Festspielhaus Salzburg, furthermore in most prestigious concert halls like Tokyo Suntory Hall, National Concert Hall Taipei, Symphony Hall Birmingham, London Barbican Concert Hall, Kölner Philharmonie, Casa da Música Porto und Teatro Colón Buenos Aires as well as at festivals like Kuhmo Chamber Music, Festival Grafenegg, Klangbogen Wien and Singapore Arts Festival. 

Giving concerts together with remarkable musicians like Elisabeth Leonskaja, Gerhard Schulz, Erich Höbarth, Matthew Barley and Robert Cohen at Salzburger Festspiele, Helsinki Festival, Allegro Vivo Festival and Tampere Chamber Music Festival has enriched her creativity and artistic interpretation. 

She is performing regularly with her Finnish pianist partner Heini Kärkkäinen with whom she performed all Beethoven sonatas as a cycle in various concert venues. With her Austrian pianist partner Christoph Berner, she gave recitals at Konzerthaus Wien, Carnegie Hall New York, Concertgebouw Amsterdam, Wigmore Hall London, Cité de la Musique Paris and Musashino Concert Hall Tokyo. 

Réka Szilvay plays regularly also on gut strings and appears as soloist with the Helsinki Baroque Orchestra and in different chamber music formations together with cembalist Aapo Häkkinen and violinist Erich Höbarth among others. 

Radio stations, which have broadcast Réka Szilvays performances are the BBC, Radio France, Arte TV France, the Austrian ORF, the Finnish YLE and the Hungarian MRT. She has recorded for the labels Warner Records (Vivaldi, Bach), Alba Records (“Roaring Twenties”: Bartók, Janáček, Schulhoff, Ravel) and Naxos (Schumann). 

2006 Réka Szilvay was appointed Professor of Violin at the Sibelius Academy/University of the Arts Helsinki. She continues the pedagogical tradition of her professors Géza Szilvay, Tuomas Haapanen, Sándor Végh and Gerhard Schulz. Many of her students are winners and laureates at recognized competitions. Apart from giving concerts and master classes, she engages in the issue of ergonomy in violin playing and holds regularly workshops and presentations. 

“Christoffer Sundqvist has risen on the top-league of Finnish instrumentalists. Smooth musicianship, rhythmic elasticity, the sound spectrum that reaches the extreme and sure sense of style have always fascinated, whether it be orchestral solos, chamber music or solo performances.” Helsingin Sanomat 3.9.2011  

Christoffer Sundqvist is one of the leading clarinets of his generation. Alongside his outstanding performances of  the classical repertoire, the Finn man is an ambassador for contemporary Nordic music. Composers as Esa-Pekka  Salonen, Erkki-Sven Tüür, Aulis Sallinen, Sebastian Fagerlund, Olli Kortekangas and Jukka Linkola have all written  concertos for Christoffer Sundqvist.  

Sundqvist has appeared as soloist with all major Finnish orchestras. BBC Symphony, Gothenburg Symphony,  Elbphilharmonie, Norrköping Symphony, Estonian National Symphony, Luzerner Sinfonieorchester and  Nordwestdeutsche Philharmonie under conductors as Jukka-Pekka Saraste, Esa-Pekka Salonen, Klaus Mäkelä,  Sakari Oramo, Karl-Heiz Steffens and John Storgårds. 

2022 debutes include the Nielsen concerto with Rotterdam symphony orchestra and chamber music concerts in  Elbphilharmonie and Wigmore.  

As an active chamber musician he has performed at venues like Kuhmo chamber music,West-Cork chambermusic,  Delft, Concertgebouw, Wigmore hall, Vinterfest and Helsinki festival.  

Sundqvist’s discography includes recordings of the clarinet concertos by Sebastian Fagerlund (Göteborg  Symphony), Aulis Sallinen, Peter Eötvös, Carl Nielsen (Finnish Radio Symphony) for BIS and Alba Records, which  have claimed international recognition and were both awarded the EMMA prize. Ondine Records made the  recording of Erkki-Sven Tüür’s clarinet concerto and the double concerto for violin and clarinet with Pekka Kuusisto  and the Finnish Radio Symphony. Cpo Records has released  the four clarinet concertos by Louis Spohr with the  NDR Radiophilharmonie Hannover.  

Winner of the Crusell Clarinet competition 2002, Christopher Sundqvist is principal clarinet of the Finnish Radio  Symphony Orchestra since 2005. He is lecturer in clarinet at the Sibelius Academy in Helsinki. Christoffer Sundqvist was born in Stockholm, moved to Finland at the age of 6 and began his clarinet studies at the  Jakobstad Conservatory with Bernhard Nylund. He completed his diploma examination at the Sibelius Academy  with Anna-Maija Korsima and continued his studies at the Basel Music Academy with François Benda. Other  important teachers include Hans Rudolf Stalder, Guy Deplus and Charles Neidich and a number of distinguished  chamber  music musicians. 

Photographer: Patrik Stenström

Heini Kärkkäinen studied piano at the prestigious Sibelius Academy under Professor Liisa Pohjola from 1984 to 1991 (Master of Music) and furthered her studies with teachers including Ralf Gothóni and Jacques Rouvier (Paris). She won the Ilmari Hannikainen Piano Competition in 1984 and placed second in the Maj Lind Piano Competition in 1986.

Kärkkäinen has performed as a soloist with orchestras such as the Finnish Radio Symphony Orchestra, Helsinki Philharmonic Orchestra, Tapiola Sinfonietta, Keski-Pohjanmaa Chamber Orchestra, Orquesta Ciudad de Granada, and Orchestra della Svizzera Italiana. She also appears extensively in Europe and the United States as a chamber musician.

She collaborates closely with chamber musicians including Robert CohenPriya MitchellRéka Szilvay, and Yuval Gotlibovich.

Heini Kärkkäinen has participated in numerous international festivals, such as Kuhmo Chamber Music Festival, Oxford Music Festival, Holstebro International Music Festival, Pärnu Music Festival, Staunton Music Festival, Charleston Manor Festival, and Caceres Music Festival.

She has premiered a large number of contemporary Finnish works, including compositions by Jouni KaipainenMikko HeiniöMagnus LindbergAulis SallinenOlli KoskelinMarzi Nyman, and Outi Tarkiainen.

Kärkkäinen has recorded several award-winning albums. A duo recording with Jan-Erik Gustafsson (Ondine) received Yleisradio’s “Record of the Year” award in 1994. A recording of Camille Saint-Saëns’ music (BIS Classics) was selected as BBC Music Magazine’s Album of the Month in March 2007 and recommended by Gramophone magazine. Other recordings include a Sibelius album with Pekka Kuusisto (Ondine) and Bartók’s Concerto for Two Pianos and Percussion (RSO/Jumppanen/Oramo/Warner Classics).

Alongside her solo career, Heini Kärkkäinen has taught piano at Tampere University of Applied Sciences since 2010, serving as a lecturer from 2024. Her teaching also includes chamber music and pedagogy.

In January 2017, Kärkkäinen founded an international chamber music festival in Tampere combining music and wellbeing. The Tampere Chamber Music Festival brings together leading international musicians and lecturers in an event that explores holistic human wellbeing and the health benefits of music. The festival has been warmly received in Tampere.

Robert Cohen made his concerto debut at the age of twelve at the Royal Festival Hall London and throughout the following forty-five years of his distinguished international career, has been hailed as one of the foremost cellists of our time. “It is easy to hear what the fuss is about, he plays like a God” (New York Stereo Review).  
  

Invited to perform concertos world-wide by conductors Claudio Abbado, Antal Dorati, Sir Mark Elder, Mariss Jansons, Sir Charles Mackerras, Kurt Masur, Riccardo Muti, Sir Roger Norrington, Tadaaki Otaka, Sir Simon Rattle, Michael Tilson-Thomas, Osmo Vänskä, Robert Cohen has also collaborated in chamber music with many renowned soloists and ensembles such as Yehudi Menuhin, the Amadeus String Quartet (including their CD of Schubert Quintet on Deutsche Grammophon), Leonidas Kavakos, Krystian Zimerman and his long-term duo partner pianist Heini Kärkkäinen. 

Photo: Martina Simkovicova 

Robert Cohen made his recording debut at age 19 with the Elgar Cello Concerto and London Philharmonic (EMI), which earned a silver disc for sales of more than 1/4 million, and has recorded extensively for BIS, BeArTon, EMI, Deutsche Grammophon, Naxos, Sony and under long term contract to Decca. 

  
Cohen is an inspirational teacher, giving masterclasses at Conservatoires throughout the world. He is William Pleeth Professor of Cello at the Royal Academy of Music, London and gives Performance and Preparation Lectures at the Royal Academy of Music, the University of Cambridge and music festivals in Canada, China, Finland, Sweden, Slovakia and the USA. Cohen’s experience and fascination with helping musicians led him to form Cello Clinic – diagnosing and resolving physical and physiological performing issues. 

Kuva: Martina Simkovicova

Pianist Natacha Kudritskaya studied at the Kyiv National Tchaikovsky Music Academy under Irina Barinova and Igor Riabov, as well as at the Paris Conservatory. Important mentors in her musical development have included Alain PlanèsJacques RouvierFerenc Rados, and Henri Barda. In 2009, Kudritskaya achieved success in competitions and was invited to perform at major festivals and prestigious concert halls, including the Cité de la Musique in Paris, the Vienna Concert Hall, Wigmore Hall in London, the Gstaad Festival, and the Kuhmo Chamber Music Festival.  

Kudritskaya also performs regularly in Ukraine. The events of 2014 gave her return to her homeland a new significance, and since then she has toured extensively across the country. The music of Rameau marked a turning point in Kudritskaya’s piano technique, and she has dedicated two albums to the composer. In 2015, she signed a contract with Universal Music. Her album Nocturnes was released under the Deutsche Grammophon label.

Minna Tervamäki is a dancer, choreographer and multidisciplinary movement researcher with a career spanning over four decades. She is known as a star soloist of the Finnish National Ballet and as an adventurous artist uniting new forms of art and bodywork. Today, she works widely at the intersections of movement, voice and performing arts – and shares her experience through Minna’s Methods, where the precision of ballet meets the wisdom of bodywork and a lifelong understanding of movement.

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